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Transforming a brownfield into a park

I. SUMMARY INFORMATION
Project
301952
Status
Submitted
Award category
Reconnecting with nature
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
Transforming a brownfield into a park
Full project title
Citizen participation process to transform a brownfield into a park for the people in Barakaldo
Description

The Riverside Park of the Ria del Nervion, in Barakaldo, is a piece of enormous urban and landscape value that will contribute to the regeneration of the estuary and its banks, making them attractive and interesting for citizen activities and will allow the recovery for the leisure and recreation for the public in large areas that had been occupied for a long time by industrial activity, in this case, that carried out by AHV steel company. This project affects an area of 8.5 hectares.

What was the geographical scope of your project?
Local
Barakaldo
Basque Country
Does your project address mainly urban or rural issues?
Mainly urban
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Newsletter
On whose behalf are you submitting the application?
As a representative of an organisation
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

This project deals with the participatory process of co-design of the riverside park in Barakaldo (Bizkaia, Basque Country, Spain).

The park and the estuary are the privileged spaces of a city that lived with its back to the Ría (estuary), but that now needs that expansion and that enjoyment. Its value for all of Barakaldo forces us to think about the park's relationships and access.

It is a local park, which the nearby blocks, the nearby facilities such as schools or the elderly of the residence will enjoy. Facilitating this transit and closeness is important especially for early childhood and the elderly or disabled. The park aims to be a meeting place, a square facing the water, to strengthen coexistence with services and places with attractiveness for the elderly and young children on the edges of the park, in the most accessible areas from the city and the blocks of housing.

It is a city park, which allows the opening of Barakaldo to the Ría. The access from the top of the city seems essential. Urban improvements in the city center have been decisively aimed at overcoming accessibility barriers with a large investment in vertical transport systems (ramps and escalators or elevators), which means that slopes or train tracks are solved relatively easily.

It also has a riverbank scale, shaped by the natural and historical environment, which links it to nearby neighborhoods, as well as to the other bank. The riverside park must be linked with the projects in progress and take special care of the path that unites them, pedestrian and bicycle.

The park can function on a metropolitan scale in several ways:

- Firstly, as an example of recovery for leisure and nature of a riverside park, renaturalized and dedicated to leisure activities, sport, culture;

- as a milestone in the future route of the estuary as a whole,

- as an attraction for visitors and tourists for its attractive landscape, history or for its program of activities.

Please indicate the main themes of your project with 5 key words
Social participation process
Recovery of an industrial area
Co-design
Design with a gender perspective
Renaturalize
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

The area where the new park is going to be established is part of an environmentally sensitive area, affected by the strong industrialization that occupied the banks of the estuary, transforming its orography and landscape and altering the composition of its soils and waters. There is sensitivity and interest, both institutional and social, so that this area recovers its riverside character and its regeneration is favored.

Environmental recovery entails a whole series of coordinated actions that range from the decontamination of soil and water, the recovery of riverside vegetation, the restoration of its channels or the dredging of the dock. A long and costly process and in which the different administrations with powers in this area are involved. The new park incorporates the environmental and landscape recovery of this area among its intervention criteria. Its name as "riverside park" is a sign of that commitment to restore the original river character.

The future park is integrated into the municipal Green Mesh project that unites, with pedestrian and cycle paths, the green spaces of Barakaldo, both urban and peri-urban. A network that connects parks, recreational areas and the main squares of the city. Likewise, it connects with the Green Belt of metropolitan Bilbao that connects different nuclei of the estuary, reinforcing its belonging to this broader natural area.

The population of Barakaldo participates in a new way of relating to the estuary that has ceased to be an area dominated by industrial activity to begin to be a place of relaxation and recreation. There is a great fondness for walking, pedaling, looking at the water and there is also a strong desire to be able to play, fish, sail or swim in clean waters.

All the steps taken in favor of environmental regeneration make it possible to better face the climatic challenges that are faced at global and local levels, and open up new possibilities not only to enjoyment but also to a new green economy.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

People want an open park with grass where they can walk, sunbathe, sit down to read, play, and be in contact with the water. A natural place of relaxation.

The solution of covering the train box with a topography that describes a slope is welcomed since it recalls an original orography and allows smoothly bridging the difference in height.

The continuation of the Franco-Belga loading dock as a landscape solution is also an aspect that is considered of interest because it is one of the few vestiges of the manufacturing past in this area.

The desire to approach the water in the dock is also highly appreciated and is present in the speeches of practically all groups.

Highlighted design issues:

Plaza versus linear park: The configuration of the space seems to suggest a promenade to walk and go from end to end, but in the speeches and proposals of the social actors the need for centrality and encounter appears again and again. A large square, a covered grandstand, an auditorium, some design element or equipment that reorients the gaze and the action towards the center, towards a confluent meeting place.

Openness versus intimacy: They appreciate the openness of a meadow, the views of the estuary, which many neighbors have lost with the new buildings, but at the same time, they propose that there be spaces of intimacy, or recollection. In the form of a garden, a grove, a labyrinth, a square, or a tent, both older people and adolescents demand intimate or quiet spaces, so as not to be seen or to take refuge in such an open space.

Adaptation to climate: Barakaldo's climate is characterized by its instability and frequent rainfall. Everyone insists that there is a need for areas where you can sunbathe, shaded areas for the increasingly hot summers and shelters for the rain. There are different solutions to make shelters, either covered areas directly for that purpose, or elements that serve at a given time to take refuge, or arcades of the buildings that are built.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

This social analysis aims to define the concept, use and design of a future park.

The way of approaching this social analysis implies the gender perspective in terms of the aspects it incorporates, the methodology it uses and the main motivation it pursues: how to design and build spaces that actively contribute to equality between women and men. Understanding the social context, attending to the relationships of the different urban pieces, or knowing the aspirations of those who live in that environment, are some of the approaches that feminist urban planning considers essential when an intervention in the territory is going to be undertaken. It is about paying attention and listening to those who live and know that space, introducing voices that are not usually in the public debate, such as those of children, young people, women in parenting time or the elderly, among others. This richness and diversity of views generates new challenges that give greater interest and complexity to the project, which results in its improvement.

The project presented here has had the participation of various entities and social agents of Barakaldo and with the generous contribution of residents of this municipality who have offered to collaborate with their opinions and points of view.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

When carrying out a social and gender analysis, the relationships between parts, rather than the individual pieces, become the main theme. In this sense, the first thing that we must highlight is how the park is integrated into Barakaldo and the estuary. The sphere of influence of the park can be analyzed from three points of view:

- Natural-ecological. Given that its vocation is to be a riverside park, it must consider the estuary beyond its limits, as well as the riverbank in front, in a strategy of renaturalising, improving and taking advantage of the rivers that surround this area. The future park is part of a complex water system that must be respected and restored.

- Social. Barakaldo is a homogeneous and cohesive population, with a strong class identity and at the same time it is an open community, built by migratory processes. Socially, the recently built buildings represent a shift towards mobility or social promotion: many of their owners are, in fact, sons of Barakaldo who have prospered. To assume the social dimension of the area of ​​the park, the different neighborhoods of the city cannot be ignored. If that mental and social unity is broken, the project will be seen as a residential park for new housing.

- Historic. The project is in the space occupied by the factory, which gave identity and united the entire population of the municipality. With the disappearance of the factory landscape and above all the production and social unity based on the Altos Hornos de Vizcaya steel company, it is an area in search of its identity. That same process of dismantling -the very hard deindustrialization- is a historical and psychosocial aspect that must be collected and shown.

The unit of the historical area includes the train station (where the immigrants arrived), the loading docks, the Ilgner building and the blast furnace offices, the gasoline (ferry boat). And an invisible memory but very present in the inhabitants of the city.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

In general, the participants describe a space for free, intergenerational and indeterminate uses. Walking, lying in the sun, having a snack, playing soccer, approaching the water, looking at the estuary, reading, are the most repeated uses. But there are also a number of more specific needs or uses:

- Family meals and snacks. Tables with benches for picnicking or playing board games or sitting down to chat are highly sought-after items. In some cases with barbecue.

- Exercise. Different uses appear depending on the age, but in general it is considered important that the space allows exercise or sports in the open air, without compromising the generalized and indefinite use. That is, soccer or other ball games but without courts or only sketched, areas to skate or skate, land to play beach volleyball, elements for exercises and boards that can be used to play as well.

- Play. There is a great desire to play and above all in a fun and risky way. "Dare" say the young people and children.

- Water sports. There is a demand and an illusion to start in sports in the estuary.

- Orchards and spaces for neighborhood participation or self-management.

- Culture. There is enormous interest in promoting public cultural activities in the park, especially music and shows in an auditorium, covered or semi-covered, that allows different actions, theater, dance, etc. But other demands also arise, such as sculptures, or an outdoor art space. One child even asked for a pocket library.

- The cafeteria seems like a good idea, although there is not a huge demand, there is a candy store and ice cream parlor for children and adolescents.

They all insist on the presence of benches or areas to sit down, that allow chatting and meeting; in bathrooms for all ages, also adapted for children; sources and elements that allow enjoyment without consumption.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

The objective of the field work was to know the expectations, interests and barriers expressed by the population around the new park project. To collect this information, the following techniques have been used:

• Review of statistics and sociodemographic studies of Barakaldo and the area.

• Individual and group interviews with people and entities representing citizens, neighborhood associations, women's associations, sports associations, cultural associations, etc.

• Outings and discussion groups with different profiles, children, youth, seniors, etc.

• Visits and design workshops with facilities or public resources close to the project or of special interest to it: schoolchildren, young people in vocational training, nursing homes, health centres, the Ilgner building, etc.

• Observation and informal conversations with passers-by, users and neighbors in the area.

The interviews, walks and observation have been based on a semi-structured interview script to find out:

- The different social representations about the estuary, the current park and the future park.

- The current obstacles perceived for the use and enjoyment of that space.

- The needs of leisure, nature, sociabilities not covered in other areas or facilities.

- The proposed uses and ways of managing them.

- The relationships between the margins, between the center and the estuary, between neighborhoods and the itineraries and borders that people observe or feel.

- All of the above has been analyzed differentiating the sex, age, social status, nationality or neighborhood of origin of the informants, with special attention to certain groups such as adolescence and certain issues such as perceived safety and accessibility.

It is important to highlight the clear willingness of the entities and people interviewed to contribute ideas and experiences and thus contribute to improving the project. This collaborative attitude highlights the interest that the future park arouses among the population.

Please explain what kind of global challenges the project addressed by providing local solutions

Faced with global challenges such as the ecological transition, the role of the public sphere and the need for a community identity, there are several reflections that can be drawn from this process.

- Ambitious ecological recovery can be a common project. For this, it has to be conceived, at least in the medium term, in economic terms, and not only of beautification and enjoyment: together with the green transition (the European Green Deal), adaptation to climate change, and the necessary jobs and technologies for that transition.

- The strengthening of the public, not only with a park for the use and enjoyment of all people, but also favors sociability, popular participation, local businesses, neighborhood self-management, etc. More a square than a linear park, and with a strong local accent, not only cosmopolitan.

- Culture. There is a coexistence between a worker and multicultural identity and the Basque identity. There are many other cultures competing, those of origin in other areas of Spain, those of immigrants from outside Spain, the cosmopolitan culture of new residents and young people, etc. Making room, at least in the design and proposal, for these different cultures and their uses is essential to achieve a park with different social layers and meanings.

Barakaldo is a city that wonders about its future identity. The past identity has a weight and enormous strength, since the entire city lived from and for the industry, its social composition, its groups and its collective ideals were linked to Altos Hornos and the rest of the factories, mines, ships, etc. Many of the values ​​that have forged class consciousness remain, such as the social commitment that is seen in the many organizations that function, the openness of its people and a more communal character that marks a certain curb on individualism.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

The innovative character is derived from the results obtained in the participatory process of its design:

- A design or intervention with a gender perspective that means that women of all ages can feel as participants and protagonists of the space, with the same freedom as men.

- Relations between neighborhoods and zones. The most important thing about the park happens in its surroundings and in its relationships: social, territorial, ecological.

- Scales. That the park is accessible not just for people with less mobility, but that it is understandable and attractive for different ages, incomes and cultures.

- Complexity. The mixture of people, uses, historical plans and scales is the basis of complexity. Uniting plaza and promenade, openness and intimacy, exercise and rest, memory and project, nature and cultural activity, are aspects of this complexity.

- Social mix and mix of uses. Social mix is ​​the basis of complexity. It is about allowing different cultures to find each other at ease.

- Integration. As is the case on beaches and in historic parks, there is no need to organize people's activity or separate them into compartments by age or use.

- Autonomy. Ensuring that everyone can go by themselves is essential so as not to have to overload families, usually women, with support jobs. Together with universal accessibility, the presence of benches, rest areas and public restrooms distributed throughout the park are essential.

- Exercise and sport in equality. Making a park that promotes female exercise is quite a challenge. The natural elements invite both women and men to reinterpret them and have a space where they can meet, play and exercise outdoors.

- Security. The security of the spaces is linked to an intensive and mixed use of the park, since it means that there will be people doing things at different times, in all its extension and in all its schedule. Security does not imply a sterilized place without corners or mystery.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

The learnings are especially transferable to cities with an industrial past and areas that have fallen into disuse.

Historical memory is an essential topic, especially for people who lived through the years of industry and deindustrialization. It is interesting to consider how a space can echo history and, at the same time, be a living place that looks towards the future.

Maintaining and reusing industrial heritage is, without a doubt, an aspect that helps to deal with the "collective trauma" of the dismantling of a way of life. Maintaining the heritage helps to perceive that not everything is finished or that all the suffering was useless, that what served at one time can have other outlets. Indirectly, industrial rehabilitation gives hope. On the contrary, destroying and forgetting these vestiges of history means underestimating the origin of what they are, which makes them feel lost -without identity- and with wounded pride.

Since there are very few material historical remains, the challenge is how to remember and teach the intangible past with tangible elements. There are several proposals:

- A historical itinerary, starting at the technical museum, passing through the loading docks and ending at the Ilgner building. What seems important to many participants is to preserve what is left and give it value. Put up panels that describe what was there and what happened. Make visits and actions, especially with young people and children.

- Physical elements that speak of the industrial past with meaning. Many proposed childhood games that allude to mining, or auditoriums in the shape of a Bessemer engine.

- The materials of the park can play a role in this sense by remembering that manufacturing or mining memory.

- Culture. They can be cultural activities or elements, such as sculptures or artistic awards that have to do with that past and its translation into the future.

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below
III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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