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ROG // RESTORATIVE OPEN-AIR GYM

I. SUMMARY INFORMATION
Project
303500
Status
Submitted
Award category
Prioritising the places and people that need it the most
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
ROG // RESTORATIVE OPEN-AIR GYM
Full project title
Description

The Paolo Cascone’s Master Class has been developed in the frame of the Advanced School of Architecture directed by Pierre-Alain Croset at the Politecnico di Milano. This with the aim to bridge a social design agenda with an ecological construction and digital manufacturing approach. Therefore, 20 students from 16 different countries have been working for 8 intense days in translating the needs of the Bollate’s prison detainees for a more performative sport space in the form of an open-air gym.

What was the geographical scope of your project?
Local
Milan, Bollate
Lombardy
Does your project address mainly urban or rural issues?
Mainly urban
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Newsletter
On whose behalf are you submitting the application?
As a representative of an organisation
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

The Paolo Cascone’s Master Class has been developed (3-11 September 2021) in the frame of the Advanced School of Architecture directed by Pierre-Alain Croset at the Politecnico di Milano. This with the aim to bridge a social design agenda with an ecological construction and digital manufacturing approach. Therefore, 20 students from 16 different countries have been working for 8 intense days with Paolo Cascone and Maddalena Laddaga in translating the needs of the Bollate’s prison detainees for a more performative sport space into a scale 1 to 1 open-air gym. Beyond any humanitarian rhetoric, such concrete process is proposed as a possible response to the very critical conditions of Italian prisons.

PAOLO CASCONE MASTERCLASS

Tutors: PAOLO CASCONE /UoW + CODESIGNLAB MADDALENA LADDAGA/CODESIGNLAB ASA – ADVANCED SCHOOL OF ARCHITECTURE // POLITECNICO DI MILANO - AUIC School DIRECTOR: Pierre-Alain Croset

Students: Bailey Mackenzie, Bose Dipon, Chow Yi Xing, Curia Martina, De Bartolo Valentina, Endara Vargas Christian Renan, Fahr Tabea Rebecca, Fung Hing Wai Vanessa, Gamez Ruiz Eduardo, Gangi Federico, Genc Fulya Basak, Gualdi Alberto, Li Mengyuan, Lichocik Krzysztof Grzegorz, Misovic Katarina, Murtic Toma, Sainlez Juliette Marie Caroline, Saldutti Maria Luz, Spasova Mira, Stergiou Aristoula .

Fabrication partners: LABORA (AUIC school) and MaBa.SAPERLab (ABC Department)

Thanks to: the Dean of the AUIC School of Politecnico di Milano Prof. Ilaria Valente; the ACTS research team: Prof. Andrea Di Franco, Gianfranco Orsenigo, Marianna Frangipane, and the Bollate’s prison detainees and guards.

Please indicate the main themes of your project with 5 key words
Inclusion
Sport
Collaborative Design
Eco-digital construction
Open system
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

Collaborative design // we have strategically involved students, detainees and prisons guards with the aim to develop an architectural paradigm for a restorative justice approach. Therefore, the scale 1 to 1 prototype has been self-constructed by the students in the Polytechnic courtyard as a result of different meetings organised with the detainees of the women’s prison. The ROG // RESTORATIVE OPEN-AIR GYM prototype has been discussed and realised in collaboration with the ACTS (A Chance Through Sport) project directed by Prof. Andrea Di Franco at the Bollate prison.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

Open system // According to the diverse programmatic and ergonomic needs of the gym an initial genotype has been developed by Paolo Cascone with Maddalena Laddaga. This proposal conceived as an open system and fast deployment structure has been shaped, assembled and tested in collaboration with the ASA students inside the Polytechnic Campus. The students have developed a catalogue of possible spatial and performative variations according to the different users’ needs dealing with the questions of customisation, incrementality and scalability.

 

Eco-digital construction // one of the possible configurations of the catalogue has been selected and built in scale 1 to 1 in order to test the structural and environmental performances. For these reasons, we have realized a light structure made out of wood components for both the primary and secondary structure. At the same time the panelling system was designed according two different performative criteria: the roof has been informed by an environmental parametric solar strategy while the vertical panels were integrating a kinetic system that could transform the vertical surfaces into ergonomic devices (benches, chairs etc.) for different types of exercise.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

The whole project has been presented and validated by the prison’s community and now we are working on the next steps in order to actualise and install the structure in the courtyard of the prison. These will involve the students and the detainees, sharing with them the construction kit and helping them to self-build their own ROG version through a series of workshop. Therefore, the Politecnico di Milano Alumni launched also a crowdfunding campaign for supporting the next steps of the project. This community-oriented process is part of the pedagogical agenda developed in the last 15 years at CODESIGNLAB in collaboration with different educational institutions with the aim to involve students in the whole design to build process starting from the dialogue with local and sometime disadvantaged communities.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

The architecture students have created a structure of great aesthetic quality, made of wood as a sustainable material, and with the social utility of inclusion in a womens' prison. This process is exemplary for the formation of architects with high ethical engagement.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

The design and fabrication process with the students helps for the social inclusion of prisoners in the conception of a sports facility.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

The collaborative design has strategically involved students, detainees and prisons guards with the aim to develop an architectural paradigm for a restorative justice approach.

Please explain what kind of global challenges the project addressed by providing local solutions

The global challenges of social inclusion and self construction.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

This is a bottom-up approach.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

The same methodology can be used for designing and realizing with students structures for other categories of fragile people .

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below
III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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