Skip to main content

Wunderbugs 2.0

I. SUMMARY INFORMATION
Project
284457
Status
Submitted
Award category
Reconnecting with nature
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
Wunderbugs 2.0
Full project title
Insect and human friendly ecosystem devices for new urban strategies
Description

Wunderbugs is a project designed to make humans, insects and plants coexist within a single ecosystem. An active and participatory space that, thanks to the collaboration of citizens, performs intensive investigations on the biodiversity of urban areas, helping to restore an integral vision of the city while regulating the anthropogenic activity of man.

What was the geographical scope of your project?
Cross-border/international
Italy
Does your project address mainly urban or rural issues?
It addresses urban-rural linkages
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to other types of transformations ('soft investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Press
On whose behalf are you submitting the application?
As an individual
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

Wunderbugs is a project designed to make humans, insects and plants coexist within a single ecosystem. An active and participatory space that, thanks to the collaboration of citizens, performs intensive investigations on the biodiversity of urban areas, helping to restore an integral vision of the city while regulating the anthropogenic activity of man.

An architecture of sharing that encourages aggregation among citizens by promoting the idea of a place in balance between living beings, through the analysis and generative and experiential mapping of its natural and artificial data.

Inside a series of spheres - equipped with sensors and managed by an Arduino microcontroller - houses ecosystems made of plants and insects that collect the main climatic and environmental factors of the context in which they are located in order to translate them into data that at large scale describe the urban biodiversity and in the small scale are translated into musical notes to produce a self-defined musical system in which a composition constantly resonates within the project area thanks to the environmental data collected, allowing people to interact and tune in to the work. All this in an immersive environment with a strong artistic, scientific and educational value.

Time, space, emptiness, slowness, edibility, food sufficiency, sharing, ecosystems, humanity, technology are some of the words that allowed us to imagine a project able to relate skills and experiences from the past with computerized systems and contemporary architectural modes, creating an experiential space where people can meet and find themselves and that activates the senses for the well-being of people, plants, animals and insects.

Please indicate the main themes of your project with 5 key words
Ecosystems
Slowbuilding
Food sufficency
Biodiversity
Participation
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

The entire project is completely realized through the use of natural and recyclable materials: wood and bio plastic.

The wood, used to build the circular structure of the project, is carefully selected for type and local availability ensuring that it is not chemically treated with toxic products and that the production cycles respect the habitat of origin.

Biodegradable polymeric plastic, on the other hand, is used to make the spheres that contain the ecosystems. It is a bio-plastic made from corn starch and its production takes place through a sudden process of heating the plant substance to over 200 degrees Celsius, followed by a slow cooling process. The result is a product that boasts a high resistance to heat and humidity, perfect for ensuring the healthiness of plants and insects.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

The architecture of Wunderbugs comes from a careful analysis and care of the relationship between the work and the user, emphasizing aspects related to proportions, material and balance between the parts.

The project stems from the attention to an aesthetic capable of returning a familiar and welcoming environment that generates high standards of comfort and quality of life.

A harmony that refers to a historical memory sought through simple and modular shapes combined with calibrated dimensional ratios belonging to Euclidean geometry, therefore more easily understood by our brain. The modularity of Wunderbugs, in particular, carries within itself logical matrices in which the human intellect is able to grasp the sublime as mathematical beauty and as a form of beauty belonging to the natural world.

Even the use of wood has a decisive influence on the emotional charge of the space, creating a strong relationship with the activity carried out by the project and contributing to the creation of an enveloping place.

The presence of greenery plays a fundamental role in the configuration of Wunderbugs: the plants have a positive influence not only on the quality of the air but also on the mood of the citizens. The presence of natural elements is a decisive factor for the aesthetic quality of the project because it establishes a connection between the parts and blends together artificial and natural environment, condensing two structural aspects of human beings in a single space.

Finally, insects - which represent 75% of living beings and without them there would be no life - are placed here in the foreground not only in order to emphasize their importance but also to highlight the very high aesthetic value related to the beauty of their proportions and coloration always rooted and expressed under high forms of artistic and scientific representation.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

Wunderbugs is a participatory project, conceived and built together with communities: an ecosystemic device that was born as a set of activities under the banner of collaboration and teamwork, sustainability and natural materials.

The project grows and is shaped by listening to citizens and analyzing other living beings, especially plants and insects. The goal is to ensure that interventions on the territory are not imposed by policies unrelated to citizenship but are connected to the needs of the communities involved by interpreting shared desires.

It's a heteronomous architecture that dialogues with other disciplines and realities in order to create a system of relationships between space and living beings. Thanks to a careful synergy between architecture, biology, technology and music, Wunderbugs is able to bring back into balance not only the physical space but also the inner space linked to the emotional sphere of citizens, making them interact with activities that can reconnect them with themselves and the territory.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

Wunderbugs is a sustainable, harmonious and inclusive project.

It's interdisciplinary, because it is designed and implemented through collaboration between different skills and disciplines; it is above all interspecific because it places human beings, plants and insects on the same level.

The pandemic and the constant crises to which the contemporary world is subject teach us that "no one saves himself" and that it is necessary to create an alliance between living beings in order to generate healthy and balanced places where the living species that are part of it coexist harmoniously.

Wunderbugs is able to create more equitable and democratic spaces that bring the city back to a new ecosystem balance thanks to a strategy of territorial regeneration that encourages aggregation among citizens, increasing urban biodiversity and sustainably providing food and services to the city.

Initially, the project builds a narrative by forming a strong bond with the surrounding place and instilling the seed of a new identity spirit for the community.

Subsequently, the strategy of Wunderbugs aims to identify and recover interstitial and abandoned spaces and then design them with the active support of citizens, following a participatory and interdisciplinary design process, thus providing bio-physical and socio-economic solutions useful to build new models of coexistence based on inclusion, solidarity and cooperation.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

Reconnecting with nature is a fundamental process for the contemporary human being.

Today, in fact, we are victims of a constant temporal and emotional disorientation caused by a social, economic and cultural system subject to sudden changes in global scenarios and a pandemic that has irreparably changed our previous certainties triggering a constant change in patterns related to cerebral, bodily and social activities.

This uncertain condition forces the human being to constantly readjust causing an increase in unhappiness and a need for contact that often degenerates into situations of discomfort, anxiety, depression and mental illness.

Wunderbugs, then, invites you to focus on your own well-being by offering support to local communities and promoting environmental education, introspection and a sense of belonging to the natural dimension, thus making us more sensitive to sustainable development.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

Wunderbus is designed by putting citizens inside in a context of natural materials, plants and insects. The benefits are many and range from the enhancement of the person to the rediscovery of local crafts, from raising awareness of ecosystems to overcoming the fear of insects, from the education of children to reconnect with ecosystems.

In particular, enhancing the local craftsmanship, through the use of innovative software, it is possible to activate an intergenerational involvement in which experienced craftsmen, young architects, designers and citizens work together to achieve a project that puts in place a slow and effective design action over time.

Please explain what kind of global challenges the project addressed by providing local solutions

The great contemporary challenges are above all ecological, and the various global programs demonstrate this, such as the five missions of Horizon Europe. Preserving and caring for ecosystems is a huge challenge especially because we have to deal with an economic model that is currently incompatible with the needs of livability and ecological restoration that we need to continue to live on Earth.

Wunderbugs addresses the issue of safeguarding insects and ecosystems and it is from this paradigm shift that the project draws its greatest evocative power: to consider the space of human growth as the common space for all living species from which to start again.

Each of us can do our part by activating a process of care of our own places and communities of which we are part. For this reason Wunderbugs is defined as a community ecosystem device that encourages aggregation between citizens, increasing urban biodiversity and providing food and services to the urban environment in a sustainable way.

A model of co-habitation between urban and human, between architecture and agriculture, which follows circular settlement models typical of resilient communities such as the Laudato Sì Communities and as the European Union suggests through the experiences of Living Laboratories and Lighthouse Farms, adopting a profound and courageous review of established cultural, technical and regulatory models.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

Most urban regeneration and redevelopment strategies follow models that aim to create smart cities, risking transforming city space into automated mechanisms in which inhabitants will have fewer and fewer opportunities to form a community. This condition can lead citizens to be passive participants in public life with fewer and fewer opportunities for contact, accentuated by the little guarantee that cities provide in terms of public spaces.

The purpose of Wunderbugs, then, is to increase the resilience of cities by fostering an alliance between living beings in order to generate healthy and balanced places where the living species that are part of it coexist harmoniously. It is an urban, scalable and incremental strategy to create and connect a powerful ecological infrastructure through inclusive policies in which communities recover their "minimal emotional state" by developing emotional intelligence and operational optimism.

Wunderbugs fosters a new vision of a harmonious and emotional city thanks to a constant experiential mapping of its ecosystem data in order to identify, first, and maintain, later, a balance among the living beings protagonists of the urban scene. A development of the city no longer based primarily on economic parameters but mainly on criteria related to an integral ecology in which the citizen can feel safe within a balance between artificial and natural space, biodiversity and happiness.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

Wunderbugs was born from the careful analysis of a contemporaneity that affects our lives through an incessant interconnection that results in a globalized responsibility from which no one can escape.

Wunderbugs is an invitation to reconnect with all living creatures and with the Earth we all inhabit, in tune with the message of "integral ecology" launched by Pope Francis and continued by Carlo Petrini, founder of Slow Food.

Transferring the Wunderbugs model to other realities would allow to relate skills and positive experiences to be shared in order to regenerate and safeguard ecosystems, building vibrant urban spaces and stimulating an active collaboration between the parties.

The project emphasizes how modularity and ease of assembly correspond to a freedom of adaptation to the context thanks to a replicable process that maintains its own uniqueness in the contexts in which it is applied.

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below
III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

Attention

In order to submit your project, please make sure you have filled in all the mandatory fields marked with *, in both the “Basic information” and “Description of the project” tabs.

Attention

The country you have selected is not a Member State of the EU.

Please select the country your project was either implemented in the EU for strand A in or is being developed or intended to be implemented in the EU for strand B.