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The Tannery

I. SUMMARY INFORMATION
Project
284756
Status
Submitted
Award category
Regaining a sense of belonging
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
The Tannery
Full project title
A sustainable destination for food and the local community, Floda, Sweden
Description

The Tannery (Garveriet in Swedish) in Floda is a fun-filled place for conversion. A sustainable, award-winning food destination and a modern church integrate in an exciting and rewarding mix.

A run-down factory in a small suburb has gently been transformed into a unique meeting point. With strong focus on sustainability and social connection this project provides inspiration to a different lifestyle, and a counterforce to the threat of being run over by the ongoing urbanization.

What was the geographical scope of your project?
Local
Lerums kommun
Västra Götaland
Does your project address mainly urban or rural issues?
It addresses urban-rural linkages
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Press
On whose behalf are you submitting the application?
As a representative of an organisation
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

Floda is a typical middle-class suburb where people eat, sleep and commute. It is situated about 30 kilometers east of Gothenburg, Sweden's second largest city.

A few hundred meters from the small square, where the lake turns into a stream that continues towards Gothenburg, lies the Tannery (garveriet & Equmenia church).

A rough, beautiful stone and concrete building side by side with an airy, light and newly built wooden ecumenical church.

The old tannery was in its prime in the 19th century. Economic and industrial development eventually forced operations to close.

The grounds slowly became a shabby, forgotten area where almost no one except the police had a purpose for visiting. The buildings fell in despair. The ground was contaminated.

Today it is a mecca for food with a strong connection to sustainability issues. The old tannery has been transformed to a quality food destination.

The mixture of a genuine well taken care of rustic building paired with a brand-new light and bright wooden church exceeded our highest expectations.

Traditionally a church is located at the highest point in the parish, often becoming a bit secluded from the society and thus relevant only for its members. Here it is the other way around. The church now has come closer to the people, to a place where all generations move. It's easy for anyone to slip in. A win win-situation.

When the operation and business started it was a party for all the senses. Conversations, sunlight, freshly baked bread. Food for thoughts …

Please indicate the main themes of your project with 5 key words
Sustainability
Social connections
Place-building
Welcoming
Recycle
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

The cheapest and easiest way would have been to demolish the old building and start over from scratch, but a committed property owner had a vision which meant keeping as much as possible to preserve the soul of the area. The first thing that came in place was a large wood-burning oven for baking bread.

The grounds have been decontaminated, the factory gently renovated and supplemented with a modern newly built church, completely made from local grown wood. A church placed in a new context which opens up opportunities to really function as a community center for the whole of Floda. South facing roofs are covered with solar cells.

In the Tannery, all activities follow a common thread. The key words are meet and learn.

The bread is baked with locally grown and freshly milled flour. The menu is based on the season. It is organic, ecological and done with as little waste as possible. The aim is to inspire the guests and make them discover a new approach to food.

An insecure, declined and forgotten place has been transformed into a rallying point for sustainable change and community across generations.

For the good of the society.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

Obviously, the architectural achievements give the project a certain distinctive character, but it is even more the ongoing development of the operation that creates its unique atmosphere. New ideas and new approaches pop up constantly.

The architectural challenge was to bring the various activities together. A church congregation, leisure associations, private actors with a profit interest ...

The buildings complement each other. The old tannery is meticulously renovated since we did not want to distort it. Furniture, windows, floors, walls and most original interior items are preserved, taken care of and reused.

The wooden church, however, we have been able to build from scratch and it is done by the book. Among other things, an acoustics expert ensured that the sound is high-class, almost like in a concert hall. The congregation also helped build a lot themselves.

The materials are not so luxurious as you might expect for a church. Almost everything is made out of wood and kept neutral, with no symbols. It's easy to feel quite small in a traditional church. In this building you will not be diminished. The wood contributes to the warm feeling.

Some rooms are flexible, with sliding walls, so that they can be made larger or smaller and used in many different ways. The few materials we added are well thought out, the colors are environmentally friendly. It has a modern feel. Timeless.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

The church has activities for children, the area is very permissive for the elderly, young families can eat good food and drink coffee, there is something for those who are out hiking and those who want can just head up to the second floor to play with colors.

Universal design is key in the building. In the Tannery an elevator has been installed and in the entrance floor all premises from church to restaurant can be reached without passing thresholds or height differences.

The facility is managed to a certain extent by the municipality. Every day we get help from between twenty and thirty people in need of on-the-job training and a possibility to develop their networking skills.

The fish farm is one element. They also take care of the hen house and is also involved in looking after the greenhouse. They come to the Tannery, grow as individuals and at the same time fulfill an important function.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

As one example we designed the inner ceiling in the church so that it could be assembled by members of the congregation themselves. A beautiful design, assembled as a collaborative work strengthening social connections in a sustainable material with wood replacing commonplace gypsum boards.

As a second example the greenhouse on the courtyard was built by members of the municipalities job training program. It is sustainable because its heated by manure, built using reused materials and because it is used for growing local food for the restaurant. Last but not least it has a beautiful design.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

Before the development of the Church and the Tannery began, the area was a run down area with a dilapidated factory building. The first initiative taken for the development was to install a wood-fired bakery oven to quick-start the transformation of the area and create a place for the habitants of Floda to meet by buying bread.

To this day, the area is not only a church and restaurant but also a hub for culture, commerce, meetings, education, art, design, food and food production. At the Tannery there is also a Fish farm, beer brewery and a commercial cider producer who only use "forgotten apples" from local gardens. The common thread for all actors at The Tannery is sustainability as the watchword. There is also a strong will to collaborate between the different actors, for example the bakery uses crushed malt grains that are left over during leaching at the beer brewery. Fish from the fish farm is served at the restaurant.

The church and the Tannery are not only physically connected, The area adds a welcoming new gathering space to the community of Floda and creates a connection between the town square and Gotaleden, a popular nature trail that stretches all the way to Gothenburg city center.

The tannery and the church have also contributed to Floda today being a much more attractive place to live, which has increased to a larger influx and the people of Floda are proud of their town in a completely different way than before. It has also created several job opportunities for the local community and a number on-the-job training program opportunities.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

For twenty years Equmenia Church was looking for new premises. When the location for the new church eventually was decided, there was a huge willingness to contribute among the parishioners. Together they have put in thousands of hours of work. Hours that gave participation and insight and at the same time meant many saved millions for the project. Using local wood we benefitted the local economy and lowered carbon dioxide from transportation.

The basic idea was quite simple. There was already a large supply of plywood boards available. It became the starting point.

With a little support from architect and owner all these volunteers have cut, screwed, painted and worked with the interior of the church. Walls, suspended ceilings, acoustic elements …

We often think that a simple solution is not enough. The result is beautiful – and functional.

Please explain what kind of global challenges the project addressed by providing local solutions

Fishing is one of the most significant drivers of declines in ocean wildlife populations due to overfishing. Fish grown in so called aquafarms discharge waste, pesticides and other chemicals into ecologically fragile coastal waters.

The fish served in the restaurant at the Tannery is grown inside the house. It will not be more local than that. With the help of an entrepreneur of alternative food production we have created a 70 square meter facility where the fish are grown in tanks.

Four pools are filled with 800 catfish of the species clarias. The fish are fed with protein-rich vegetables and a small amount of maritime proteins. Their droppings make the pool water very nutritious. Ten ton of fish can provide nutrition for one hundred ton of vegetables per year. The waste from the fishtanks from the fishfarm is then used as nutritions in the green house. (Therefore, a greenhouse is under construction.) To show the power of a fish farm combined with a greenhouse.

The greenhouse is run by a compost of wood chips and residues from the beer production. Yes, there is a microbrewery, called Bearded Rabbit, in the area as well. The compost bed creates heat for the greenhouse, which means that we can have a completely different range of vegetables in the restaurant due to off season cultivation.

Restrictions during the covid 19 pandemic brought up the idea of a food safari. All restaurants in the Floda area each offers a take-away box which means a six-course menu. Among other things the Tannery contributes with open sandwiches topped with clarias, the very same fish that we grow in the house.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

The innovative challenge was docking a local congregation with a private business running a restaurant and an office for a hiking path. There are lots of exciting connections between all the operations and they are physical as well since the buildings are put together as one.

Instead of being a victim run over by urbanization, we create high quality ruralization based on environment, security and a wide range of good culture.

The atmosphere and the feel were far more important issues than what material we would use.

When you enter the Tannery, you smell the freshly baked bread from the bakery while catching a glimpse of the large church hall as you see the stream flow past outside the windows. You will feel warm and cozy. Lovely.

The idea of ​​sustainability is a common thread in the project. The colors are non-toxic and all the tannery buildings have solar cells. At the time of installation, it was the largest photovoltaic plant in the municipality.

The old house was filled with stuff. Long ago someone apparently had ordered new windows but it turned out to be the wrong ones, so they were left there standing against a wall. Everything that was possible to take care of was kept to preserve the character of the building.

Recycling and upcycling and the use of wood benefits sustainability. It also makes a building beautiful. Wood is a material with a warm feeling and it creates soft acoustics when you move around. The church is entirely built with locally grown wood. The furniture is made of oak from the nearby area.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

Our experiences of recycling are contributing to the national research project ccbuild, which is led by IVL Swedish Environmental Institute and funded by the Swedish government.

The indoor fish farm is not only sustainable, it is also an opportunity to fight starvation. Such a fish farm can be exported in containers and then built up as a closed system where people in poor countries can get food.

One of the biggest challenges society has today is linked to sustainability issues. We need to live our lives in a different way to spare the planet. Especially when it comes to how we consume food. In The Tannery cooking courses spread knowledge on sustainble food to the wider public.

Sustainability is, by definition, an approach to business that balances the environmental, social and economic aspects to meet the current needs without compromising or overburdening future generations.

This project is an inspiration for people in Floda and other communities.

As a consequence of everything that goes on in the Tannery area we can now see a substantial effect on property prices – people simply want to live in Floda.

Those who once moved to Floda because they did not have much choice economically, can now say that they live here and are proud of it, because in Floda we have something that others don’t.

A food destination of the future.

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below
III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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