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The scale of imagination

I. SUMMARY INFORMATION
Project
298936
Status
Submitted
Award category
Prioritising the places and people that need it the most
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
The scale of imagination
Full project title
The Scale of Imagination - Artistic and creative workshops
Description

The Scale of Imagination was a project of artistic and creative workshops targeted to a diverse group of local children from Nowy Port district in Gdansk, Poland. Through city funding the program was made accessible and free of charge. Weather permitting, the workshops were implemented outside prioritising the important places in participants' daily environment and enabling reconnection with the nature.

What was the geographical scope of your project?
Local
Gdańsk, Poland
Pomeranian Voivodeship
Does your project address mainly urban or rural issues?
Mainly urban
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to other types of transformations ('soft investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Social media
On whose behalf are you submitting the application?
As a representative of an organisation, in partnership with other organisations
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

During the summer 2021 the project organised two-weeks workshops for local children from children's organisation Dom na Skraju in the Nowy Port district in Gdansk, Poland. The initial plan of the project was to connect local artists and architects with educators. The objectives of the project were to help locals regain a sense of belonging, reconnect with nature and prioritise the places and people closest to them. The first week consisted of lessons and exercises about architecture and the scale of buildings. The practical project of the first week was to measure the historical main building of the organisation Dom na Skraju and to build a wooden model of it in the scale of 1:10. The function of the model is to host hedgehogs, which are regular guests of the backyard garden. The topic of the second week was bigger urban scale, aesthetics and accessibility of public spaces, as well as nature and rainwater in the city. After the lessons the kids were encouraged to find important places nearby, photograph the nowadays view to match with old photographs from the beginning of the 20th century. Finally they were given the task to imagine and plan the future of these places. Additionally the participants needed to consider the aesthetics and accessibility of these spaces and urban nature surrounding them.

Please indicate the main themes of your project with 5 key words
aesthetics
scale
local
nature
identity
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

The project was implemented in the historical district of Nowy Port, which has a problem of underdeveloped public spaces and infrastructure. There is regular flooding because of lacking rainwater infrastructure. The key objectives were to educate the participating children about sustainable urban planning and infrastructure. They gained knowledge of various subjects including green spaces and rainwater management in the city. In addition to knowledge provided the participants, the small citizens of the district and regular visitors of the Dom na Skraju garden, hedgehogs, got a new place to stay.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

The one of the main objectives of the project was to educate the participants about consistent urban planning and architecture. They had to think about which kind of structures would aesthetically fit between existing buildings in the district.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

The project was funded by a city grant so it was free of charge. The participants were mostly coming from families with lower than average income, which means that they would not be able to participate in such workshops if there were any admission fees. Additionally the project was implemented locally close to their homes, so the children did not need to use any means of transport to come and join the workshops.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

The workshops addressed themes from climate goals to recycling, from aesthetics to healthy environment. By means of simple exercises we created a platform for conversation and creation, which gave a possibility for the participants to consider the before mentioned issues.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

The visible results of the workshops can be still seen in the Dom Na Skraju garden, where the model house still stands. The underlying and possibly more valuable impact is the knowledge and insights the children got and they can utilise in their lives. During the whole process the participants were writing their thoughts and the thing they had learnt in notebooks provided. This way we could also monitor their progress and the things they were learning during the program.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

The group of children from the district were the main participants. There was a project closing event, which was open for everyone and especially targeted at the parents of the children. The children were proudly presenting their work and taking the visitors on a tour around the garden. Besides the participants benefiting from the education, also the families got some insights from our project and the feedback was completely positive.

Please explain what kind of global challenges the project addressed by providing local solutions

Architecture and green spaces are global challenges, which were addressed locally in this project. By knowing the environment, we were able to take the knowledge and experiences of the participants to a new level. The priority of the activities was to increase the sense of local identity and to look at the spaces surrounding us in a broader context. 

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

The main goal was to create a program of activities that would be, on the other hand, tailored to the specific location, but could be implemented in any public environment which has a historical background. The innovation of the project lies in the flexibility of the scenario and its openness to change.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

The Scale of Imagination is an open source program and can be implemented in the location of your choice. As an elaborated method it could be used as a tool for working in different places and allow improving the quality of urban spaces in cities. We would like the program to be openly licensed and eventually a common platform could allow for the improvement of the initial idea based on the foundations of the project. 
The program is based on literature and examples from around the world, such as The Davos Declaration and the Davos Process, Arch-adventures (a Polish educational program), general architectural education.

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below
III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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