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Regenerating Colleferro's incinerators

I. SUMMARY INFORMATION
Project
298006
Status
Submitted
Award category
Shaping a circular industrial ecosystem and supporting life-cycle thinking
You want to submit
NEW EUROPEAN BAUHAUS RISING STARS: concepts or ideas submitted by young talents (aged 30 or less)
Project title
Regenerating Colleferro's incinerators
Full concept/idea title
Project about the transformation into “City of Education and Sustainable Development 2030”
Description

What is sustainability really? How can we educate citizenship? How can we design new architectures in the problematic contemporary city? The regeneration project of the former waste-to-energy plants in Colleferro, near Rome, attempts an approach based on flexibility, temporariness and temporality: the industrial complex becomes the "City of education and sustainable development 2030" which through the functions of super reuse and crops alternatives offers a vision of hope for humanity’s future.

What is the geographical scope of your concept/idea?
National
Italy
Does your concept/idea address mainly urban or rural issues?
It addresses urban-rural linkages
Does your concept/idea refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your concept/idea benefited from EU programmes and/or funds?
No
Has your concept/idea won an EU prize?
No
How did you hear about the New European Bauhaus Prizes ?
Social media
On whose behalf are you submitting the application?
As an individual in partnership with other persons
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your concept/ idea

The project concerns the regeneration of former refuse-to-energy incinerators in a close to Rome area called Colleferro. The idea is recovering and giving new life to abandoned decadent structures destined to be demolished. They are to be restored and improved with low impact removable structures. Flexibility, changing and resistance through time are the key aspects of the project.

Colleferro’s Valle del Sacco area has been chosen after an accurate analysis of its critical issues which are litter, farming and pollution. In 2005 this area has been put on the SIN list which collects all those national interest sites that need to be reclaimed. The valley has been industrialised since 1930s and industries and dumps (122 of which illegal) have affected the Sacco river basin: farming are forbidden as the river has been contaminated with betahexachlorocyclohexane.

The design idea is therefore to create a network of regenerated industrial centers, which can respond to the critical issues of the territory, of which the Colleferro waste-to-energy area (30000 sqm) constitutes the central core. The Colleferro industrial complex become a “City of Education and Sustainable Development 2030”, with various public and private functions related to three major issues, born in response to the three major critical issues in the area (waste, agriculture and pollution):

- super reuse (direct reuse on site of waste elements);

- alternative crops (hydroponics, aeroponics, aquaponics cultures);

- restoration of naturalness (original natural ecosystems).

Furthermore, the final project envisages three transversal themes to the planning ones: production, education and research. The City would be finished by 2030 after a three step process (2022, 2026, 2030) involving citizens too: education on sustainability issues cannot begin in 2030, but must become an integral part of the transformation process; sustainability is not only the final goal, but it is the key to the process.

Please indicate the main themes of your concept/idea with 5 key words
Flexibility
Temporality
Super-reuse
Education
Sustainability
Please give information about the key objectives of your concept/idea in terms of environmental sustainability (including circularity) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

The concept of sustainability would be shown in different ways:

- Regeneration of nature: the soil has been polluted by hexavalent chromium and nothing can be grown on it. However, after a general reclamation, containers of different heights (0.5 cm - 1m - 1.5m) are built to host different plant species, both trees and shrubs. Following a botanical study, were identified the species most suitable for the planting as autochthonous and restorative of original natural ecosystem and biodiversity: between the arboreal species, the ideal ones are Quercus Cerris and Fraxinus Ornus. From the demolished buildings concrete debris are to be built artificial hills and humus coming from unpolluted areas is to be used, in order to recreate a more natural landscape in the intervention area.

- Technical solutions: to satisfy the energetic needs of the entire complex renewable energy is to be employed by the installation of crystalline photovoltaic systems; it will be also an energy production ecosystem based on the symbiosis between the Chlorella algae and the Spirulina platens bacteria. Furthermore, by an architectural and technological point of view the environmental impact is to be reduced and the relationship between internal and external environment is to be improved by using bioclimatic technologies and internal and external sections to favor sunlight entrance.

- Circularity: the super reuse allows the deconstruction and reassembly of technical elements like stone wool and aluminium plates to create new spaces in line with the bioclimatical principles. The production of vegetable farming is to go from composting to cropping and viceversa, following the natural cycle and the alternation typical of biological agricolture.

Please give information about the key objectives of your concept/idea in terms of aesthetics and quality of experience beyond functionality and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

The key objective is the enhancement of the already existent structures in a greatly industrialised context. The industrial site image is not to be subverted but revisited in a functional contemporary way, always bearing in mind the social, environmental and architectonical surroundings in which it stands.

Today cities are the material on which architects, urban planners, designers and landscape architects find themselves working; it is no longer conceivable to conceive projects disconnected from any context: the built heritage, abandoned, unfinished, constitutes the raw material of the new transformations. The aesthetic quality of a project cannot ignore the social, environmental and architectural circumstances of the site in which it is proposed.

Former Colleferro’s waste-to-energy incinerators are characterized by industrial structures in reinforced concrete and steel. Their cold aesthetic will be counterbalanced by alternative cropping of algae and hydroponics to create unusual and eye-catching landscapes. In this way, the quality of experience and exploitation of architectural spaces goes beyond the relationship between aesthetics and functionality in a project that interfaces them and places them on the same level: the experience of the user, tourist or worker, is linked to the production and therefore to the functionality, but from this is not limited and indeed is implemented.

Some superficial elements are to be reinterpreted, some particularly interesting ones will instead be preserved in their original image. In fact, the project plans to deconstruct some elements and museumize others: one of the two reinforced concrete ovens are to be replaced by a "promenade architecturale" to connect different grounds; otherwise, the concrete core cooling is to become the centre of the refuse-to-energy incinerators museum to make the visitors understand what was the place like before the regeneration and, consequently, educate them on sustainability.

Please give information about the key objectives of your concept/idea in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

Inclusion is crucial: citizens are actively involved both from a decisional and a practical point of view. They are to be informed about the status of the Valle del Sacco territory and be educated on sustainability. They are called to contribute to the process with their own knowledge about farming, building and demolishing of building material.

The project is to be divided into phases for an economic reason and to progressively deal with the possible arising problems during the building process.

Once the City is finished, it will be accessible to everybody, both workers and citizens. Workers will have a back entrance to bring materials in and out and for the access of heavy vehicles; visitors will get access through the main entrance and thanks to a boardwalk will be led to the two central buildings hosting the main services (dining areas, meeting rooms) and the Valle del Sacco museum, a glass structure placed between the two former warehouses in reinforced concrete and that offers a panoramic view on Colleferro city. By returning to the final entrance visitors will be able to see the process related to the alternative cultures and the super reuse.

Please explain how these three dimensions would be combined in your concept/idea.
Please highlight how this approach can be exemplary

Aesthetic, environmental sustainability and inclusion are intertwined in the same theme: time. Flexibility, temporality and sustainability are the three main concepts to be developed and expressed in a three phase building process in the years 2022, 2026 and 2030.

Thus, if because of the first transformations of the first phase some buildings acquire a new image and function while others remain unchanged, with the second phase this situation is upset. This allows to work on project priorities and proceed faster, but also to learn and educate at the same time that the transformation is taking place. Real sustainability is continuous changing in a process of cooperation among private and public parts and respect of nature and the main features of the territory.

Industrial aesthetic is to be progressively replaced or improved by vegetation, the principles of environmental sustainability are applied to buildings as they acquire functions, inclusion occurs as a place whose access is currently closed to the public gradually opens up to become the center of a new era for Colleferro: all these processes are determined by time and in turn mark the succession of phases.

The idea is not of simply demolishing a structure but giving it a new image as the “City of Education and Sustainable Employment”: the 2030 goal is purely indicative, it is a reference to the UN 2030 Agenda, but the change must happen now. The life cycle of the building is the objective of the building itself from the design point of view, so that it can become an organism capable of easily changing its functions, its image, its purpose, and then dissolve when not will need more; because true sustainability, which looks at all aspects of the environment and society, consists of the humility with which we look to a future we do not know, and the ease with which we allow that future to take part in the present, for the good of all humanity.

Please highlight the innovative character of the concept/idea as compared to mainstream practices in the field of the concept/idea.

There are several projects that deal with the regeneration of industrial systems, but the goal is not always to create urban ecosystems.

The main innovation is in avoiding the radical demolition of the building in favor of a brand new “City of Education and Sustainable Development 2030” to show how to act sustainably and consequently impact environment, society and economy.

The idea is that of transforming and combining in a single project different approaches: the previous building aesthetic inspire a high-tech style, while the importance of reuse and of the buildings life cycle move the attention to a super reuse and zero waste approach. Natural elements are to be reestablished: the design of artificial hills, made with the aggregates obtained from demolition, sublimates the theme of super reuse becoming a solution for restoring naturalness and protecting the subsoil from pollution.

Common citizens are to be involved too to avoid a sensation of estrangement and start the teaching process of sustainability: sustainability education does not begin when the project is finished, but it begins at the same time as the process and is an integral part of it.

The temporary and flexible nature of the transformation is innovative as it is nonconformist: in an architectural landscape in which the maximum aspiration is that of the archistar who proposes an eternal building, Colleferro project is meant to rewrite his future and keep rewriting it.

The functional transformation of the buildings is fundamental in the project and does not end when it is realized: the flexible spaces allow a constant modification of the place and facilitate even a radical change of function. The project does not want to remain immobile, it becomes fluid in a liquid society that increasingly drags the world towards a future that we cannot know.

Please detail the general plans that you have for the further development, promotion and/or implementation of your concept/idea.

The project is still in development considering the economic entity and the series of problems deriving but it could be implemented by talking to the local authorities to come to an agreement.

First of all it is crucial to establish a network for data, wares and goods exchange like materials from farming and information regarding Valle del Sacco’s status. The already existent industrial structures are to be regenerated and new stations, buildings and agri-food companies too are needed.

A prototype could be used to make a comparison between different European and Italian industrial realities.

Imagine that your idea/concept is awarded in the New European Bauhaus Prizes 2022. What kind of initiatives would you take throughout the following year (June 2022- June 2023)

If the project won the Prize, it would acquire a greater visibility all over Italy and specifically in Lazio region.

Together with Lazio Region it would be possible to organize meetings in Rome and in the Valle del Sacco to share the underlying concept at the basis of the City, develop useful and innovative ideas and let the history of the valley be known to a greater public. It would become a great example of regeneration and reevaluation of the Italian territory in Europe too. The European Community would certainly support the project that could later be presented to a private comittee for its realization. More and more project managers would be trained to be part of the project.

III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed concept/idea has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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