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Pavilosta Artist in Residency

I. SUMMARY INFORMATION
Project
293749
Status
Submitted
Award category
Regaining a sense of belonging
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
Pavilosta Artist in Residency
Full project title
PĀVILOSTA Artists Residency, communal garden and green house
Description

An interdisciplinary place of residence for creative people that provides artists-in-residence and other creative professionals with time, space and other resources for research, experimenting and professional development. The Residency is promoting the emergence of various new, world-exploring and reflective art forms, bringing together specialists from various fields for development of intercultural cooperation, interdisciplinary knowledge and promotion of location-related artistic research.

What was the geographical scope of your project?
Cross-border/international
Latvia
Lithuania
Vilnius, Kaunas
Estonia
Tartu, Narva
Denmark
Odense
Finland
Turku
Sweden
Malmo
Does your project address mainly urban or rural issues?
Mainly rural
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Social media
On whose behalf are you submitting the application?
As a representative of an organisation
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

PAiR (Pāvilosta-Artist-in-Residency) is the first independent creative residency in Latvia.

It is a space of inventive encounters, where

humans and nature,

the local and the global,

cutting-edge practices and age-old traditions

form a synergy to give birth to new meanings via creative experiments and transdisciplinary knowledge sharing.

A small port first recorded in the Middle Ages, Pāvilosta acquired its current name and experienced rapid development towards the end of the 19th century, serving as a stone shipping port during the construction of the nearby Karosta naval base.

Having survived world wars and occupations in the 20thcentury, today Pāvilosta is known as a haven of historical wooden architecture on the Kurzeme coast, a sailing and surfing paradise, and, recently, as a remarkable arts destination.

Pleasantly far from significant flows of tourists, Pāvilosta has in recent years become a magnet for cultural and business elites seeking peace and quiet away from the busy capital.

Our newly renovated Artists Residency (PAiR) is a point of intersection between humans and nature, the local and the global, cutting-edge practices and age-old traditions. PAiR is a place where new meanings emerge via creative experiments and interdisciplinary knowledge-sharing.

PAiR is also a cultural destination that provides locals and travellers alike with meaningful artistic content in an unconventional setting. By hosting a rich programme of events and workshops, PAiR seeks to help contemporary art find its way into the hearts of locals.

Please indicate the main themes of your project with 5 key words
Tradition
Nature
Knowledge-sharing
Weaving
Bauhaus
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

Sustainability is a global effort, yet it always starts out small. Each mindful lifestyle choice contributes to maintaining the wellbeing of our planet, so at PAiR, we pursue and encourage sustainable living and ethical consumption.

We seek to give a second life to the things we no longer need by recycling or upcycling them. We sort and compost our waste, minimize the use of paper and keep our energy usage low by employing low energy lighting and appliances.

We encourage our residents to explore the surroundings on foot or by bicycle while staying at PAiR. We also instruct them on sustainable ways to travel to and from Pāvilosta.

Whenever possible, we opt for organic and Fairtrade products. Much of the food on our table comes from local farmers and we promote a self-sustaining lifestyle by running our own garden with a communal greenhouse.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

The residency is situated in a spacious two-storey historical building soaked in the linden trees of Ernests Šneiders square and the greenery of the freshly established PAiR garden.

Ernests Šneiders was a prominent schoolteacher and headmaster of the independent interwar Latvia. He was a man of many talents and an art educator, leading a drama group and a string orchestra at Pāvilosta.

The house is a beautiful example of the vernacular architecture of the Kurzeme  coastline. Constructed in 1901, the building had a variety of uses in the course of its history, most notably hosting the Pāvilosta polyclinic.

The year 2021 marked the building’s 120th anniversary and also the completion of its renovation by VV Foundation. In spring, the first residents came to stay at the new premises and PAiR gallery opened for the public.

The upper floor has five rooms for residents, each equipped with a private bathroom. The ground floor hosts a fully furnished kitchen, a dining room, two separate artist studio spaces, the weaving studio, the library/salon, and the gallery. The north façade of the building has an outdoor exhibition surface currently displaying a work by the Estonian artist Katja Novitskova. The PAiR public programme aims to establish a meaningful connection between professionals in arts and culture and locals and visitors to Pāvilosta.

Panel discussions, public lectures, book readings, theatre and music performances seek to prompt the transfer of insights and experiences between members of the art world and the wider public.

At PAiR, members of the Pāvilosta community are invited not only to learn, but also to teach. We appreciate the knowledge and skills that have been nurtured over the ages as part of the local identity, and look at weaving and foraging for healing herbs as sources from which inspiration can be drawn in the 21st century as well.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

The mingling of long-term and recently arrived residents creates a mutually beneficial atmosphere of cultural exchange, whereby traditional practices that are part of local identity find their way into contemporary lifestyles and vice versa. We have a dedicated space for local weavers at the Residency, where three traditional weaving looms are placed.

PAiR seeks to foster this process by engaging people in a free-spirited give-and-take, in which everyone has something to learn and something to teach.

At PAiR, even the most convinced city-dweller will feel at one with nature in its diverse manifestations. The sublime panorama of the sea, the boundless landscapes of the dunes and the peaceful pine woods create the ideal mood for deep, innovative thinking.

The residents are welcome to use the bicycles provided by PAiR to explore the scenery and historical sights around Pāvilosta – manors, churches, lighthouses, cemeteries, sacrificial stones and more.

The surroundings offer rich opportunities for foraging, especially during summer and autumn, when the woods and dunes outside Pāvilosta are full of wild berries, mushrooms, and healing herbs used by the local community.

Away from the usual distractions which make concentration a challenge, the nature at Pāvilosta enables that significant something – so difficult to grasp in the grind of the daily routine – to be clearly seen and expressed.

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

By looking at Black Mountain College as a main example when building our Residency, we believe that the three core values of sustainability, aesthetics and inclusion have been pursued and form the core of our project.

Thought-enabling space

At PAiR, even the most convinced city-dweller will feel at one with nature. Impressive seashore bluffs, bracing sea breezes and a tranquil seaside forest are great not just for long walks but also for deep innovative thinking. Away from the usual distractions which make concentration difficult, this place enables that significant something – so difficult to grasp in the grind of the daily routine – to be clearly seen and expressed.

Community of meaning

PAiR is a place of meaningful interaction – one where dialogue and cooperation open new perspectives on each participant’s project and invite them to discover what other artists and researchers are doing across disciplinary borders. PAiR is a place to share both a great idea and a hearty meal. A place where one evening can transform the way you think about your practice.

Enrichment by tradition

We appreciate knowledge and skills that have been nurtured over the ages as art of a local identity. We look at the weaving and foraging of healing herbs long typical of Pāvilosta as sources from which to draw inspiration in the 21st century as well. Time-tested approaches do not necessarily contradict novel ones, on the contrary – the synergy between tradition and innovation can open up new vistas and lead to unexpected solutions.

Please give information on the results/impacts achieved by your project in relation to the category you apply for
  1. Offering artists and locals an array of deep work friendly situations, ranging from a fulfilling quietude to constructive peer interactions.
  2. Being a cultural destination that provides locals and travellers alike with meaningful content in an unconventional setting.
  3. Being a place where insights and experiences are transferred to the wider society, whereby contemporary art finds its way into the hearts of many.

 

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

The Residency was created in close cooperation with local community. By doing a research on skills and traditions that locals feel most connected to, an idea of establishing a weaving studio emerged. The design and necessary equipment for weavers was selected by a community of local artisans.

To expand PAiR’s atmosphere of community and aesthetic values beyond the doors of the residency, we have established a garden where everyone can become part of a collective effort to embody the beauty of nature while respecting local landscaping traditions. There is a communal green house available to locals for planting and sharing knowledge of local flora. 

The PAiR garden is more than a lush green spot outside the residency — it is also a space of encounter, co-creation and mutual learning. Here, members of the local community are invited to share and pass on their art of gardening.

This is also a space of discovery — PAiR residents can learn about local gardening and herb foraging traditions, appreciate the biological diversity of the region and nurture a plant of their own in the common greenhouse.

The garden embodies the fluidity of nature and also its endurance, changing with every season yet bringing together the species that Pāvilosta inhabitants have been cultivating for generations.

In collaboration with Pāvilosta municipality, the square facing PAiR will soon be transformed into a sculpture park, hosting pieces created by contemporary artists for the meaningful enjoyment of connoisseurs and the wider public alike.

Please explain what kind of global challenges the project addressed by providing local solutions

We believe that Pair Residency is a clear example of how the physical transformation of a place can connect with local historical heritage and traditions, creating new cultural and artistic dynamics. The repurposing of a particular building has helped PĀVILOSTA local community to grow towards positive inter-generational exchanges and community-building.

The first cycle of the residency was dedicated to the nature phenomenon of the surroundings of Pāvilosta and the question – how can art develop from philosophy, and philosophy – from art, while at the same time adhering closely to the processes of plants, territory and life? The separation of human beings from this natural environment has been the beginning of the fulfilment of the metaphysical dream of philosophy, since as far back as Plato’s time. Plants constantly create and reproduce themselves, in spring they grow anew and are thus associated with the performative or artistic function.

Socioeconomic and geopolitical challenges, as well as ecological and humanitarian problems, raise increasingly more questions about the sustainability of humankind. Is science the only tool that helps us understand the existence of the world? Or maybe it is art? It seems that the possible solution can be found in the interaction – when ideas of different fields meet and when new tools for exploring the world are synthesised from them. Besides, not only in the interaction between the representatives of the human species, but by connecting with the rest of living nature – the planet’s biosphere, one of the participants of which are also human beings.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

The Residency is willing to promote the emergence of various new, world-exploring and reflective art forms, bringing together specialists from various fields for development of intercultural cooperation, interdisciplinary knowledge and promotion of location-related artistic research.

Along with the call of the first residents we would like to try to find the answer to the question of how it would be possible to bring into art practice and our model of residency, a transition from individualism and the superiority of humans to an inclusive and conscious model, in which human beings are a part of the entire ecosystem. How can we transform from a consuming and cultivating model to caregivers serving the needs of nature? We want to explore the diversity of flora and fauna in this city and region, to identify its community and history, and to think of an end result of artistic research that respects all these values.


 

 

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

Representatives of diverse creative industries participated in the residency project – artists, musicians, writers, playwrights, curators and others. During the particular period several different representatives of the creative fields resided in Pāvilosta, providing the opportunity to develop interdisciplinary forms of future cooperation. Several residents or representatives of resident groups have now developed creative collaboration, demonstrating that the introduction of an interdisciplinary residency model can become an important factor in promoting a culture of interdisciplinarity.

Though the Pair Residency has been operating for only one year, there are many evidences of the successful transferring of the projects results to interested parties globally. Here are the examples of three residents from Australia, Canada and Russia who share their experience and learning from the stay at the Residency. 

1) An artist from Australia Maike Statz on her research into tapestry and nature:

https://youtu.be/m2dCHXNvMqg

2) An artist from Canada Erik Martinson on his research on ancient stones:

https://youtu.be/88UiTQ5eP1o?list=PLQVBxRWkTagV3cRBmf2xEGtmzE2LA0AXw

3) An artist from Russia Alena Vinokurova on her research on bird migration:

https://youtu.be/88UiTQ5eP1o?list=PLQVBxRWkTagV3cRBmf2xEGtmzE2LA0AXw

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below

The link to a discussion by PAiR artists from Estonia, Denmark and Latvia on how the time spent at the PĀVILOSTA Residency has helped their artistic research:

https://youtu.be/KpFYni9W5Ps

 

III. UPLOAD PICTURES
IV. VALIDATION
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Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
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Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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