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Collorio and Pizzanco

I. SUMMARY INFORMATION
Project
304150
Status
Submitted
Award category
Regaining a sense of belonging
You want to submit
NEW EUROPEAN BAUHAUS RISING STARS: concepts or ideas submitted by young talents (aged 30 or less)
Project title
Collorio and Pizzanco
Full concept/idea title
Punctual interventions for a regeneration strategy
Description

The project includes specific interventions, proximal to each other and similar in the topics they deal with, that create a broader strategy for the regeneration of these fragile territories. Through the intervention on existing buildings and volumetric expansions, the project aims to link in an innovative way to the history of a valley founded on rural and pastoral economies, as well as marked by the role of Gian Giacomo Galletti as promoter of cultural diffusion in the Bognanco valley.

What is the geographical scope of your concept/idea?
Local
Bognanco
Piemonte
Does your concept/idea address mainly urban or rural issues?
Mainly rural
Does your concept/idea refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your concept/idea benefited from EU programmes and/or funds?
No
Has your concept/idea won an EU prize?
No
How did you hear about the New European Bauhaus Prizes ?
Word of mouth (colleagues, friends …)
On whose behalf are you submitting the application?
As an individual in partnership with other persons
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your concept/ idea

The project is conceived in two areas of the Bognanco valley: a municipality that falls within the definition of Inner Areas. By means of SNAI strategy, Bognanco has been classified as an Italian city in a situation of fragility and marginality because of its distance from essential services. In particular, the valley is in a situation of decline and depopulation following a period of economic development linked to a brief flourishing life of the thermal baths. This valley was however a place of commercial activities linked to agriculture and pastoralism. Given these assumptions, the idea is to restore Bognanco’s potential by designing a place where commercial activities can develop in an innovative way where is given adequate importance to the relationship between man, society, and nature. Two main areas have been identified for the development of the project and both belong to one of the ring paths that characterize the place. The first area is Collorio where there are two abandoned buildings with a strong historical value because owned by Gian Giacomo Galletti, who has gone down in history for supporting culture through many promotional works, among which the construction of schools. The second area is Pizzanco where there are only six dwellers. Its many buildings fallen in disuse have been considered good opportunities for intervention.

Starting from these assumptions, it was decided to intervene in distinct points of the area following an overall strategy. The idea is to locate a cultural centre in Collorio linked to the area of Pizzanco both for proximity and addressed topics. While the first is thought of as a place to raise awareness on the theme of nature and tradition; the latter has been allocated for a residential area, an indoor market, and agritourism to establish an innovative product chain deeply rooted in the old farming tradition of the place.

Please indicate the main themes of your concept/idea with 5 key words
cultural regeneration
local economies
connection
inhabited walls
box in the box
Please give information about the key objectives of your concept/idea in terms of environmental sustainability (including circularity) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

The project wants to leverage the importance of nature and care of the territory. For this reason, it tries to repopulate these places having seen how the lack of the use of mountain areas is related to the lack of maintenance of the territory and therefore of its control. Among the climate objectives, particular importance is given to the role of forests and forestry. These projects are aimed to raise awareness of the issue and strengthen a sense of belonging to the place and therefore to its care.
In Pizzanco, we restored agricultural land to establish a microeconomy that sees the sale of products in the covered market and their consumption on-site in the farm.
In Pizzanco, we decided to renovate existing buildings in order to make them environmentally friendly. We thought about the use of structures and non-structural elements in wood in order to use a renewable available, whose re-systematic plant allows to continue to store carbon dioxide by mitigating the greenhouse effect. For the insertion of the new structures, it was necessary to carry out selective demolition and it also opted for the realization of new construction with a metal sheet roofing and integration of solar panels.
In Collorio, on the other hand, we opted for underground buildings, and for this reason, we used reinforced concrete. Hypogeal constructions are advantageous due to the reduced thermal dispersions and allow the realization of green roofs. The attention to the sustainability of new buildings and the search for activities aimed at the care of the territory and nature are considered exemplary elements.

Please give information about the key objectives of your concept/idea in terms of aesthetics and quality of experience beyond functionality and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

In Pizzanco, the idea is to strengthen a central system as a regeneration input. The visitor accesses the village through a ring path, identified by a new local stone pavement, intercepting terraced land until he arrives at the square of the Oratory of Sant'Uguccione: the central point where the architectural intervention has concentrated. The new buildings, inserted into the existing masonry, are identified by the material treatment in wooden slats and metal cladding and the overhanging roof covers the existing masonry incorporating new and old. The wood, visible in the fronts, is also found in the interior spaces designed in fair-faced xlam. Furthermore, inside the buildings, the service block is placed north, in order to allow the development of the spaces towards the south, that is towards the landscape.
In Collorio, the volume of the two buildings was not sufficient and therefore it was decided to insert new volumes. These are designed in order to have the minimum impact on the landscape, however, having a system connected to the two pre-existing buildings through underground tunnels.

The new buildings are inserted in the landscape recalling the historical image of the terraced land, taking up a typology of change of the typical landscape of the place. Buildings are considered as inhabited walls and their volumetric development is so limited in depth. The southern fronts of the buildings are glazed and screened by wooden slats thus making the perspective less impactful on the landscape. The glazed front allows the entrance of light, softening the hardness of the fair-faced concrete of the interior. 
The interiors relate to a series of terraces that intercept the various altitudes and allow people to relate to the surrounding landscape. The projects are exemplary for the way of reasoning in systemic terms integrating new and old without the former prevailing aesthetically over the second.

Please give information about the key objectives of your concept/idea in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

The aim of the project is to revive this valley deeply marked by the consequences of depopulation. The intent is to attract slow tourism, but also bring benefit to the few inhabitants who today are surrounded by abandoned structures and with insufficient places of vitality.  The inhabitants could find the possibilities of job opportunities closely linked to the valorization and the conservation of the resources of the place into the agricultural life, the agritourism, the market, and in the management of the cultural center. In addition, these interventions are aimed to encourage the arrival of new people and the cultural center could become a meeting place. For this reason, small guest houses have been placed in Pizzanco next to common areas that can also be used by the locals. In addition, a house for the caretaker has been planned, seen as a figure that would help in the management of the place and that would then live the village in a lasting way. To make this possible, it is important to give attention to the accessibility of the place. For this reason, car parks along the route have been planned as well as an improvement of the road connection to make it accessible to public transport. Furthermore, specific attention has been paid to accessibility to the cultural center. The access is made possible to any type of users thanks to the inclusion of a parking lot along the road from which it’s possible to reach the panoramic lift and ramps that lead to high altitude. 
In the development of both projects, there has already been a discussion with the municipal administration and with the inhabitants of the valley, considering a place-based approach to respond to real needs. The project can be considered exemplary for the introduction of new activities that are addressed to a new development of these territories related to the management and enhancement of the place to bring benefit to those who live in these places.

Please explain how these three dimensions would be combined in your concept/idea.
Please highlight how this approach can be exemplary

The project in these areas is aimed at the inclusion of these territories and the inhabitants of the valley within a development process that starts from local traditions and the enhancement of the historical and territorial heritage. It is a project that looks at the future and in line with this idea, the new buildings are designed with innovative and recognizable materials compared to the existing ones. In Pizzanco, wooden buildings are inserted within the existing walls, thus allowing energy efficiency. Wood is both a sustainable material and is consistent with the traditional materials of the place, even if re-proposed in an innovative way using xlam structures. In addition, wood has been approached with metal, which we find in roofing as a metal-seamed in titanium zinc allowing the coupling of solar panels.
From the aesthetic point of view, the metal highlights the volumetric expansions and marks the roof as an element that incorporates new and ancient. 
In Collorio, the need to make the cultural center accessible to all led to the construction of a panoramic lift that leads to ramps that make this place inclusive but also allow the realization of a path flanked by small exhibition pavilions inserted into the soil. The desire to impact as little as possible on the landscape has led to hypogeous buildings bringing benefit also from the point of view of sustainability. In addition, the use of wooden slats in front of the windows makes this less impacting from the aesthetic point of view but also allows a screen from the sun.
In both projects, therefore, we tried to make these places accessible, inclusive, and characterized by an aesthetic respectful of the context but at the same time innovative and focused on sustainability.

Please highlight the innovative character of the concept/idea as compared to mainstream practices in the field of the concept/idea.

The project can be considered innovative compared to traditional practices for the type of reasoning in systemic terms, which allows integrating the two places and the stories connected to them in a single regeneration project. At the landscape level, this is done by connecting the two places with pedestrian paths and inserting along the route of nodes where there are parking and rest points. Instead, in the two locations, the inclusion of new elements, as if they were layers that are added to the existing, connects the various elements going to constitute a system that includes new and old.
It is then recalled the tradition without stopping at a single enhancement for tourism purposes but inserting innovative elements. Thus in Pizzanco, wood is used in the construction of the new buildings, the volumes remain within the existing masonry, the existing inclination of the roofs is maintained, the original access quotas are maintained, the agricultural tradition is recalled for the inserted functions, but small expansions are also made to connect the elements, the volumes are higher to allow habitability and the wood is used with new construction methods. 
Also in Collorio, the two houses are connected within a larger system and this is done by recalling the construction of the terraced landscape, but the retaining walls become buildings and concrete is used because it is more suitable for this type of underground construction.
In conclusion, it can be considered innovative for the inclusion of new and old in a single system that aims at the regeneration of these territories starting from the tradition of the place, but evolving through variations on the theme consistent with new needs.

Please detail the general plans that you have for the further development, promotion and/or implementation of your concept/idea.

The scenario described above could fit into a system certainly wider and repeatable, aimed not only at the enhancement of the territory aiming to recall the ancient testimonies of the place but also focused on the regeneration of the territory itself.
Specifically, the project could fit, as a piece of a puzzle, within a system of a widespread museum along the entire area, hypothesis already started, but still at the embryonic stage, by the city administration.
In this perspective, then, could be placed small buildings with services in places rich in memory along the ring paths, which are still connected to a route of greater value, the Stockalper that, in addition to connecting Briga with Domodossola, could be the narrative thread of the entire project developed throughout the valley.
In this way, therefore, the hypothesis of the widespread museum, in addition to being used as a device of historical-cultural production, could be considered a useful tool for the development and regeneration of these territories that, although rich in potentiality, are in any case fragile and marginal and for this reason subject to continuous depopulation phenomena; in this way, therefore, we could aim at a reversal of this trend so that these places can become small poles no longer marginal and uninhabited but rich in services and in close relationship with the major poles.

Imagine that your idea/concept is awarded in the New European Bauhaus Prizes 2022. What kind of initiatives would you take throughout the following year (June 2022- June 2023)

Imagining the project is awarded in the New European Bauhaus Prizes 2022, It would be considered to interact further with the locals and the administration to show the progress of the project and have further exchanges of views that could help refine the idea so that it is as suitable as possible to the place. We would then try to find the funds to build it and an idea could be to make the realization of the project itself a way to temporarily inhabit these places. For this reason, we could start with the construction of the residential building, so that they can become meeting points and give hospitality to professionals called to work to make possible the realization of the market and the cultural centre.
For the latter, we could think initially only about securing the two existing buildings to be able to already start hosting events and activities in contact with nature and in the surrounding woods. This would begin to attract people to think about issues of the enhancement of the territory and would thus begin to publicize the process in progress in this area. Later, it will be possible to think, with additional funds, to improve accessibility to make it inclusive and to provide for the expansion of the cultural centre with the construction of the new buildings. 

III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed concept/idea has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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