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-The Cabinet-

I. SUMMARY INFORMATION
Project
304349
Status
Submitted
Award category
Reconnecting with nature
You want to submit
NEW EUROPEAN BAUHAUS AWARDS: existing completed examples
Project title
-The Cabinet-
Full project title
Sustainability is reduction - The Cabinet - Furniture for the future
Description

Change happens where we live, therefore our furniture has to reflect what we need in order to keep us stimulated and organized. The Cabinet reflects reduction and simplicity. It needs less, but gives more. More time for what is important. 

It's shapes claim universality and embraces to be utilized in all environments. The Cabinet shares functions, which emphasize wellbeing. Through pure and natural materials it remembers us on what's real.

What was the geographical scope of your project?
Cross-border/international
Germany
Does your project address mainly urban or rural issues?
Mainly urban
Does your project refer to a physical transformation of the built environment or other types of transformations?
It refers to other types of transformations ('soft investment')
Has your project benefited from EU programmes or funds?
No
Has your project won an EU prize?
No
Your project is fully completed?
Yes
When was your project implemented?
How did you hear about the New European Bauhaus Prizes ?
Other
On whose behalf are you submitting the application?
As an individual
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your project

Change happens where we live, therefore our furniture has to reflect what we need in order to keep us stimulated and organized. The Cabinet reflects reduction and simplicity. It needs less, but gives more. More time for what is important. 

It's shapes claim universality and embraces to be utilized in all environments. The Cabinet shares functions, which emphasize wellbeing. Through pure and natural materials it remembers us on what's real.

Please indicate the main themes of your project with 5 key words
Sustainability
Reduction
Universality
Wellbeing
Aesthetic
Please give information about the key objectives of your project in terms of sustainability (including circularity) and how these have been met.
Please highlight how the project can be exemplary in this context

By only using the material wood "The Cabinet" wants to target the gap between furniture concepts, which use recycled materials and concepts that use whole timber. The laminated wood plates from the Paulownia tree or emperor tree, how it is called in his origin countries in Asia, are one of the most sustainable wood types that we have on earth. Fast growing, yet shape retaining, extremely light and also highly aesthetic, with it's bright and wide texture it gives "The Cabinet" and it's following furnitures of the project characteristics, which are often unmatched in our furniture industries right now. In case of circularity the wood can be easily be reused for recycling, because no other materials than wood are included.

Please give information about the key objectives of your project in terms of aesthetics and quality of experience beyond functionality and how these have been met.
Please highlight how the project can be exemplary in this context

The main theme of "The Cabinet" is to merge the aesthetics of Scandinavian and Japanese traditional furniture design and to combine these emotional yet simple formal languages with the topic of reduction and forming human interaction. The Cabinet's shape is round, but at the same time straight and reserved, it's aura attracts with bright colour and even wood grain. It's drawers can only be opened with two hands, which engages the user in a  calmness evoking movement in which let's him/her concentrate on what she/he is doing. They can be taken out to bring the things in side near to the places where one needs them. By being lightweighted it's installation in an environment is simple and makes the life of people easy. 

 

The idea of the concept I used on The Cabinet is to give something back to the consumer, more than just function or aesthetic, it gives value and embraces to recognize value in everyday objects and actions. The furniture's surfaces is more vulnerable then standard ones and needs care taking and attention, through this it communicates the vulnerability of natural materials and nature itself.

 

In addition to this the Paulownia wood is flame retardant and can be used in places where norms for fire safety applie.

Please give information about the key objectives of your project in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these have been met.
Please highlight how the project can be exemplary in this context

For me as a designer it's very important to create concepts, which can be afforded by a large audience to have a greater impact on society. "The Cabinet" was developed with this thought in mind. A sustainable and inexpensive material combined with a reserved appearance, yet remaining highly aesthetic and functional. Here is to say that the accessibility and inclusivity of this storage unit is not over standard and that the project had to sacrifice some of this features for advantages in other fields. 

Please explain how these three dimensions have been combined in your project.
Please highlight how this approach can be exemplary

In The Cabinet these three dimensions are brought together by merging the aesthetics of Scandinavian and Japanese traditional furniture and creating a hybrid, which is then infused with strong characteristics in function, sustainable features in it's production process and great quality in shaping the integration of human interactions.

Please give information on the results/impacts achieved by your project in relation to the category you apply for

Reconnecting with nature also means to relocate oneself in his/her relationship to his/her environment. The experience of reconnecting with something is a sensual process, which needs reason and attention for one's surroundings. The Cabinet wants to be one part of an environmental transformation that helps humans to relearn the value of natural materials. The project starts this process of relocating where human life takes places and creates therefore a great impact.

Please explain how citizens and civil society were involved in the in the design and/or implementation of the project.
Please also explain the benefits that derived from their involvement.

Therefore that no citizens and/or civil society were directly involved in the developed of The Cabinet I want to share here an excerpt of Tomas Maldonados Issues article "The Idea of Comfort":

 

"Now we must ask ourselves how and when the tactics and figures that govern our daily domestic culture are going to emerge, that is, the control mechanisms that aid in structuring, and in the final analysis, stabilizing daily life in capitalist society; how and when, in other words, the system values and norms that today is at the heart of all modern ways of considering useful objects, of prefiguring behavior, of articulating living areas w emphasis on women, see the pioneer burst into the surge of history."

Please explain what kind of global challenges the project addressed by providing local solutions

The challenges of material insufficiency and the global traffic having a bad impact on the climate points to a more local approach of production processes. The Cabinet uses wood that grows all over the world and it's smart but simple construction can be accomplished without specialized technology. It takes a step back to take two steps forward to the solution of how we as humans are economical about the products we manufacture.

Please highlight the innovative character of the project as compared to mainstream practices in the field of the project.

The innovative part of "The Cabinet" is the concept of how it is experienced. Calming down the user and letting him be mindful and present, when the drawers are used. The traditional form language hides this feature so that the user unknowingly can benifit from it's own actions. This step forward to intervene in how we interact with objects in our everyday life differs from mainstream approaches to furniture concepts.

Please explain to the potential of transferring the projects’ results or learnings to other interested parties and contexts.
Please provide clear documentation, communication of methodology and principles in this context.

The idea of creating sustainable products, which subtle changes behavior of user are easy communicated by text and speech. The difficulty of finding solutions for situations that have the potential to provide these changes in behavior is an other thing.

Sustainable materials meets simplicity and evokes emotions by creating value (for) and a connection between consumers and the world their live in.

 

Is an evaluation report or any relevant documentation available?
No
If you would like to upload additional documentation, please upload it or write it below

The images are provided in a lower resolution, if a higher resolution than the provided is needed please contact me.

III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed project has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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