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Postindustrial Landscape

I. SUMMARY INFORMATION
Project
301636
Status
Submitted
Award category
Regaining a sense of belonging
You want to submit
NEW EUROPEAN BAUHAUS RISING STARS: concepts or ideas submitted by young talents (aged 30 or less)
Project title
Postindustrial Landscape
Full concept/idea title
The Regeneration of Postindustrial Landscape; The case of The Central Térmica de Sant Adríà de Besòs
Description

For years, the abandoned former Thermal Power Plant of Sant Adrià de Besòs was the focus of a preservation fight by the local community to prevent its demolition, and only recently were the Tres Chimeneas granted heritage protection by the authorities. The ultimate aim of this proposal is to excel a positive social, economic and environmental impact on a regional scale by re-qualifying the site while preserving its identity, and to give back people what they called "la Sagrada Familia of worker"

What is the geographical scope of your concept/idea?
Local
Sant Adríà de Besòs
Badalna
Barcelona
Barcelona
Does your concept/idea address mainly urban or rural issues?
Mainly urban
Does your concept/idea refer to a physical transformation of the built environment or other types of transformations?
It refers to a physical transformation of the built environment ('hard investment')
Has your concept/idea benefited from EU programmes and/or funds?
No
Has your concept/idea won an EU prize?
No
How did you hear about the New European Bauhaus Prizes ?
Other
On whose behalf are you submitting the application?
As an individual
II. DESCRIPTION OF THE PROJECT
Please provide a summary of your concept/ idea

The 1970's three chimneys loom over Barcelona’s north seafront as a relic of the region’s industrial past. The iconic 200 m chimneys, along with an adjacent turbine room, are the remaining of the large former thermal power plant of Sant Adrià de Besòs. For years, it was the focus of a preservation fight by the local community to prevent its demolition, and only recently were the three chimneys granted heritage protection by the authorities.

Today, the site around the three chimneys is an abandoned cultural heritage, disconnecting the city of Sant Adrià de Besòs from the sea, and Barcelona’s coastline from the one of Badalona. But what most of the people don't know, is that the site holds heavy metals in its soil. The contamination does not only harm the soil, but also affects the ecosystem and public health.

Based on that information and the fact that the city of Barcelona fell well short of the European Union’s recommendation on access to green space, the proposal suggests a remediation and regeneration plan of the site.

The program is a new mini district that will include a beach park, educational buildings, cultural, leisure, and related residential facilities, taking advantage of the remains of the former power plant and existing sport facilities. All together shall build up a little compacted town designed to have a minimum footprint. The project would connect the different municipalities together by designing a multifunctional path that would assure the continuity of the coastal promenade from Barcelona to Badalona.

This proposal would excel a positive social, economic and environmental impact on a regional scale while preserving its identity.

To check the full concept proposal, please use this link: https://issuu.com/joannaabbas/docs/booklet_final

Please indicate the main themes of your concept/idea with 5 key words
Post-industrial landscape
Resilience
Sustainability
Community
Regeneration
Please give information about the key objectives of your concept/idea in terms of environmental sustainability (including circularity) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

The concept takes into account the study of the contamination, the impact of the sea level rise, and the city analysis, to create a healthy, sustainable and resilient proposal.

People of Sant Adrià de Besòs lack the access to green and recreational spaces. For that reason, we saw the importance of creating this urban green park. This can promote mental and physical health, and reduce morbidity and mortality in urban residents and ultimately bring environmen­tal and social benefits.

Built program: a multi-disciplinary hub of nautical data, production, leisure, commercial and residential spaces, works as a theoretical framework for envisioning the new district as a global port: a coastal re-development that ecologically and socially bonds with its surroundings inviting different user groups to live, work and play.

As a result, the three iconic chimneys and the turbine hall are preserved and reused, keeping the structure untouched, and only plugging-in additional floors and walls as needed. Topped with green roofs and solar panels, the new buildings gather around the southern side of the chimneys, avoiding being covered by their shades to get the most of the natural light, and therefore require less energy.

The buildings would be elevated, keeping a permeable ground floor to grant an easy cross-through movements of visitors and also to reduce the impact on the soil. The structure is wooden and modular for a flexible future usage. For the rest of the site, a remediation plan was made and a list of trees and bushes is suggested based on the native/existing species to conserve its biodiversity.

Two urban green corridors on the main entrance axes of the site are suggested to ameliorate the connectivity between green areas as they are an important component of an urban green infrastructure and they also help boosting the city's resilience and adaptation to climate change.

 

Please give information about the key objectives of your concept/idea in terms of aesthetics and quality of experience beyond functionality and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

About 70% of Barcelona’s economy directly or indirectly is based upon tourism. But this sector is weak in Sant Adrià de Besòs due to the lack of attractions and the important presence of industrial activities. People have already a nostalgic feeling when it comes to the chim­neys, so why not bringing people up there for an expe­rience. Locals and tourists seek for the best views from the top of the surrounding peaks to gather and watch the sunset and the beautiful urban design that Barcelona has.

The 200 m tall chimneys have three very large rooms that used to be the engine rooms in the past and we saw a great potential in them. The project proposes to plug-in a hotel in the upper rooms of the chimneys and to link them by two bridges that are 90m high from the ground. Giving the chance for people, not only to look up at the chimneys, but also to go up enjoy the view, dine and have a drink on the rooftop, or to spend a night.

Another main key objective of the concept, is the improvement of the promenade experience along the seafront that starts in Barcelona and reaches Badalona. Local citizens and visitors of the city, tend to spend some time on the waterfront. People bike or simply take walk along it, others bath, and some exercise or enjoy their activities. It is a very active and lively coastal line, but people do not reach the project site for many reasons, and one of them is the crossing river.

We propose a bridge that continues to form a wooden pathway along the site, creating this dynamic experience that smoothen the movement between the lower part and the upper part of the site and also makes is more unique and enjoyable, having the sea on one side, and a park on the other side.

There are many elements that make this project beautiful, besides the park on the beach side, a long wooden pier stands out as a destination, inviting visitors to hang out or take a calm walk over the Mediterranean Sea.

Please give information about the key objectives of your concept/idea in terms of inclusion (equal opportunities, public participation, citizen engagement, co-design, universal design, accessibility, affordability, etc.) and how these would be met.
Please highlight how the concept/idea can be exemplary in this context

People have so much history with the former power plant, and over time, they developed a deep connection, and the chimneys became part of the city’s identity. The project gives it back to them, only better, healthier, and more beneficial than it currently is. The transformation is not only on the environmental level, but we thought of a complete program that could support the community economically, culturally and socially as well.

 

  • Citizen engagement and co-living: In close relation to the campus, residential buildings will host students and teachers. Social housing is proposed as well to avoid gentrification of the area. These buildings provide smaller services in their lower floors to be run by privates (shops, cafés, commercial, etc…). The project is rich in terms of activities for people from all backgrounds and with different interests.
  • Co-design: The new buildings have a direct access from the common floors to the huge slabs of the preserved turbine hall. Giving the community the chance to freely create and design their own spaces as needed in the future, to boost the interaction and to inspire collaboration.
  • Accessibility and integration: An overall public space in form of a promenade for pedestrian and bikers, links the neighbor segments and complete the intermunicipal linear park along the coast. A new underground path from the city is designed to improve the accessibility. It has a museum of the history of the site, preparing the visitors for their final destination.
  • Affordability: It follows generally a freemium approach to offer everybody the chance to access the park. But, there are multiple options to upgrade the quality of experience. Visitors can enjoy a cup of coffees, shop, rent equipment for the beach activities, or even spend a night up in the hotel. The housing offers several options with different sizes available to rent, depending on the tenant’s budget. In summary, the project has something to enjoy for everybody.
Please explain how these three dimensions would be combined in your concept/idea.
Please highlight how this approach can be exemplary
  • Inclusion and aesthetics: It is the people of Sant Adrià de Besòs who used it in the past, who needs it right now, and who will have it in the future. We believe that the project design needs to respond to the needs of people and not the other way around. Therefore, the site was not only transformed esthetically to look better, but to be beneficial, to add a value, and to improve the overall quality of life of people.
  • Inclusion and sustainability: While designing the park, we made sure to preserve a plot that will serve the future residents as a community garden. Food grown locally is environmentally so beneficial and reduces greenhouse gases produced by long distance transportation. It would also provide an inclusive meeting area where people of all ages and cultural backgrounds can share experiences and knowledge. It gives them the feeling of inclusion and boost their sense of community and belonging. The design includes the built environment as well, as it embraces the existing architecture and available spaces, reuse them, and carefully merge the new buildings with the old.
  • Sustainability and aesthetics: A site preparation starts with a deep decontamination plan of the soil, avoiding further environmental damage. The decision of the plant species is made carefully, making sure it includes native vegetation to preserve the biodiversity. The focus is not on designing a beautiful park only, but on creating a resilient and healthy ecosystem that can sustain itself as well.

When it comes to the buildings design, a strategy of minimum footprint was followed. Topped with green roofs and built from sustainable materials, the buildings gather themselves in front of the chimneys, leaving the majority of the site free as it represents an equal respect to its surrounding softscape. A thoughtful strategy for the facades was made as well, to help reduce the energy consumption of the building.

A successful approach is a holistic one.

Please highlight the innovative character of the concept/idea as compared to mainstream practices in the field of the concept/idea.

The initial presentation of this concept was presented to a jury which involved experts and professors from Barcelona and others European countries as a call for ideas for the specified area of Barcelona.

The concept stood out as a unique radical proposal, as it refused to spread the built program on the whole area of the site, but instead, it compacted it all in the most strategical and reasonable location. Keeping the majority of the site free to implant a decontamination plan followed by the transformation of it into a green public space.

All along the workshop with Prof. architect Karin Hofert from Barcelona, we were grateful to have the chance to work along with experts in the fields of sociology of the environment, and agronomy and food science. That helped us have concrete reasons for every component that we were designing, as they are backed up by community needs, facts or studies.

Behind every decision, we question ourselves “what would the world look like if seven billion other people would decide the same way?” – Anna Heringer

In addition, we are very conscious of the value of understanding the local context and sense of place, therefore, the analysis was made on a metropolitan context, on a local scale, and the site scale. And it was crucial to look way back in the history of the thermal power plant, as it holds a long and complex relation with its surrounding and people.

We did not take the call as a chance to show off our design capabilities. We have worked with passion and love to make a change that we’d like to see in the world. The final proposal is a balanced, humble, yet unique human-centered design that combines equally the soft and the hard investment.

Please detail the general plans that you have for the further development, promotion and/or implementation of your concept/idea.

The natural next step is going to be setting up workshops, public hearings and series of surveys with the community of Sant Adrià de Besòs to listen to their opinions on the project, and discuss how could it serve them better. The proposal is not in a final detailed phase and we made sure it is not over designed. Therefore, it is still flexible for future modifications, and a base for additional creative ideas.

After gaining the trust and support of the local community, and with the help and support of my former supervisor Prof. Hofert Feix Karin Elke (lecturer at Barcelona School of Architecture ETSAB, Politechnical University of Catalunya, and Politecnico di Milano), I hope to get the chance to showcase this work to the involved municipalities as well.

I have high hope that with initiatives such as the New European Bauhaus, we can get the necessary attention of the local authorities to take this proposal further. And if not, I will make sure that in the future, I continue rightfully on this path, promoting sustainable thinking and encouraging regeneration of postindustrial landscapes.

working on this project, I was not only an architect, I was an activist with a specific case. This land and the people of Sant Adrià de Besòs have been waiting for so long for a change… It is time to make it happen. 

Imagine that your idea/concept is awarded in the New European Bauhaus Prizes 2022. What kind of initiatives would you take throughout the following year (June 2022- June 2023)

After we presented the project to the jury and we got a great feedback, for us, it was the end of the story. The summer after, I travelled to Barcelona, and like everybody else, I walked up the hill where the Bunkers del Carmel are. A spot with a breathtaking view to watch the beautiful urbanism of Barcelona. While sitting there, I couldn’t but notice these gigantic chimneys on the left side of the city skyline. So I decided to visit them the day after.

Arriving to the site, I notice the imposing presence, the extraordinary scale of the concrete chimneys. It is for a reason that they are called them “the Sagrada Familia of the workers”. It is as it’s calling you to look up... to go up. The site has so much potential, yet it is sadly abandoned. That day, I decided to take that studio design further, and to develop it as my master thesis. I did that with great love and passion, and graduated with a score of 110/110.

If I win the prize, it would be a dream coming true, not only my dream, but the local community as well. I would look forward to work with a team of experts, with the community and with the authorities to realize it one day.

III. UPLOAD PICTURES
IV. VALIDATION
By ticking this box, you declare that you are not in in one or more of the exclusion situations foreseen under Article 136 of the Financial Regulation.
Yes
By ticking this box, you declare that all the information provided in this form is factually correct, that you assume sole liability in the event of a claim relating to the activities carried out in the framework of the contest, that the proposed concept/idea has not been proposed for the New European Bauhaus Prizes 2022 in any other category or strand and that it has not been subject to any type of investigation, which could lead to a financial correction because of irregularities or fraud.
Yes
By submitting your application, you guarantee that you are the author or have the rights to proceed with the application and to authorise the use of the project, concept, idea, and that you have obtained any necessary consents, licenses or assignments from third parties and included copyright notices when necessary.
Yes
By submitting your application, you understand that all the applications that meet the eligibility requirements will be shared for the purposes of the selection processes, and notably published on the secured platform https://prizes.new-european-bauhaus.eu/ and for the purposes of the promotion of these on the New European Bauhaus website and/or other European Commission communication channels. In this sense, the applications would be widely available. Applicants should ensure that they present their ideas, concepts, projects, in such a way that they could be shared without giving rise to intellectual property related concerns. If your submission is selected as one of the finalists, it will additionally be shared for the purpose of the public vote that will take place. The European Union is granted a licence to use and share your application with the general public and the official external experts for the purposes of the selection process, including the voting. The European Union has the right to use the images and visual materials and the description provided in the application for communication purposes related to the contest and beyond. Rights granted comprise the right to store, reproduce, display, publish and communicate or distribute copies in electronic or digital format, including, but not only, through the internet. Unless you have disclosed your name, the European Commission has no obligation to share your name when using or disseminating your contribution to the public. The European Union cannot be held responsible in case any submitted idea, project, concept is found to infringe third parties rights. The European Union shall be neither responsible for the use that third parties may do of the applications or related content.
Yes

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